Tiny Tears Fill an Ocean weaves together concepts of universality, transformation, and ecological awareness. This ongoing exploration reflects the interconnectedness of humanity and the oceans, both composed of salt and water, drawing attention to the intimate parallels between our tears and the tides.
The photographs undergo a transformation, immersed in seawater until it evaporates, leaving crystalline traces of salt on their fragile surfaces. This process creates an evocative metaphor for the shared human and environmental condition. The series blurs boundaries between medium and message, echoing the universality of water as a life-sustaining and emotional force.
The creative process mirrors the rhythms of the sea through its cyclical and transformative nature. Immersing the photographs in seawater echoes the ebb and flow of tides as the saltwater washes over the surfaces and leaves its crystalline traces behind. Just as the ocean constantly shifts between moments of stillness and turbulence, the process unfolds in stages—wetting, evaporating, and rephotographing—each a reflection of the sea’s perpetual movement.
This intimate interaction requires patience and attentiveness, akin to the way one observes the waves or listens to their cadence. The vulnerability of human hands in this process—delicately handling the fragile photographs—parallels the sea’s duality as a source of both creation and erosion. Yet, this fragility also underscores a more sobering truth: just as the human touch can create and nurture, it can also destroy. The delicacy of the photographs, susceptible to mishandling or decay, reflects the precarious state of the natural environment. Our hands, capable of shaping art, are also instruments of environmental degradation, mirroring the destructive impact humanity has had on the oceans. Ultimately, the act of making becomes a meditation on our role as both creators and destroyers, inviting reflection on the responsibility we bear toward preserving the fragile balance of nature.